The Best Of Everything Rona Jaffe Ebook ((NEW))

The Best Of Everything Rona Jaffe Ebook ((NEW))

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The second story, A Life In The Country, is quite different. The story is narrated by a boy who does not end up with his first love. He tells us, ``I was in love, very young, with the most beautiful girl in the world; she gave me the feeling that I was a perfect person.'' The girl, who always knew how to get what she wanted, is another example of the ``He stole my heart'' girl. This story is about the boy who is disappointed with his love, then his relationship with a new boy who he is in love with, and then is disappointed with the new boy, too. By the end of the story, the boy finds that the girl he loved had done him a favor by letting him know what real love is. A Life In The Country is an early attempt at Rona Jaffe's later, philosophical style. This story is about finding happiness only when you are on your own, and it is told in the third person.

Often regarded as her finest and most literary work, Mr. Right Is Dead is Rona Jaffe's collection of short stories from 1965. Containing five stories and one novella, each story has the savvy and sharp tone that characterize the best of Rona Jaffe's writing.

The best short story writer today has one thing in common with the best short story writer of a century ago: she knows how to make a reader sick. That may be why there are so few critical books on the subject. It has been said that the short story is a sickness, a disease, a perversion, and a waste of energy. It's also a formidable weapon, the most versatile and powerful literary form. Most writers of short fiction, though, seem to be unaware of this, and don't even know how to choose the forms and technical problems they are working on. And there are many good ones: Cheever, Silsbee, Flannery O'Connor, O'Connor, Heller, Teasdale, and a dozen more. But which ones to read? Yes, there is some method to the madness. In the best of all, the short story writer understands the structure of the form--and the lie of the matter: that fiction is a story of what is within us, and that we are what is without. The writer who gets all this--the great short story writer--is dangerous, and often rich. She has more moments of truth than a novelist or playwright. In her is the power of the real, the prophetic word, the hypnotic effort and care. It is a privilege to read such a writer, and it is a privilege to read any of them. There is no point in choosing lesser ones.

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